The Reluctant Baker

 

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The Reluctant Baker

But you don’t eat bread.

I do now. Thin. Whole wheat. Dave’s.

Do they have it?

I don’t know.

I’ll get some yeast and start making bread again.
I’ve been wanting to do that.

Yay.

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No toilet paper. No popcorn. No yeast.

You’re kidding?

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I’m going to make sourdough.

Really?

We need to make a starter.
I can use a bowl but we will need some jars.

I cleaned out the shelves
and the recycling just came.
I got rid of the jars.
I think I have a pickle jar that’s almost empty.

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I don’t think it’s working. 

It’s cold in the house.
Beer bread is good, too.

I’m going to keep going.

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It smells sour.

I don’t smell anything.

You can’t smell this?

No.

Can you taste food?

I think so.

Let’s take your temperature just to be sure.

Okay,
but the starter doesn’t look
 like the pictures I’ve seen online.

It’s good. I can smell it.

Okay.

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It’s not working. 

Do you want me to try?

Sure.

Then you can bake the bread.

Okay.

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I emptied the pickle jar.
I put the starter in the jar
in the cabinet
near the stove.
It might be warmer up there. 

Okay.

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It smells sour.

That’s how it’s supposed to smell.

But it smells like pickles.

It’ll be fine.

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Ooooooooo….looooook.

What?

It has a few bubbles!!!!!

Uh. Huh.

It’s working.
Do you want to see?

When I come downstairs.

Okay.

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It’s time to make bread!!!
I’m so excited.
When do you want to take over?

How about if you make the bread?

Okay.

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Benny grunts.

Okay, here is a recipe that calls for lots of stuff.
How did people use to make this without all this stuff?
I just know they didn’t have all these fancy tools
to make bread a long time ago….

Benny sighs.

OMG.
Look at the number of steps.
A loaf of sourdough is going to take days to make.
Well, at least I’m home with little else to do.

Benny whines.

Okay, go chase the squirrel.
I’m going to find something easier.
There has to be something that is more sensible.
I know there must be.
I’m not a baker.
This is Colorado and a high altitude.
My mother always said you must adjust the recipe.
How do I do that?
Days.
It’s going to take days. 

Benny barks.

I’m coming.
Let’s go for a walk.
I need to make a plan.
We’re going for a walk!

Okay.

I’ll work on the bread when we get back.

Great.

“I’m going to make sourdough bread.”
What’s wrong with beer bread?
But noooooo,
it had to be sourdough.

What?

Nothing.
We’ll be back

Okay.

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Awww, look how fluffy the starter is.
I think it grew!!!!

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It’s really sticky.  

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Pull and turn.
Pull and turn.
Pull and turn.
Pull and turn.
Set the timer for 30 minutes.
Repeat for FOUR hours?

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It’s soooo pretty.
You are such a pretty mound of flour and organisms.
Keep on going.
You can do this.
I know you can!

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Let rest 6-18 hours.
Place in fridge for at least 12 hours.
Then bake.
You silly little round of nourishment. 

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Yes.
Release. Patience. Trust.
In the time of virus.

Author’s Note:

The challenge in our writing group was to write dialogue. I tried to keep exclusively dialogue to see what I could bring about in a minimum of words. When it came to Benny my dog I had to rely on stage directions. No too sure how to write his sounds. I’ll work on it.

Peter from St. Petersburg

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The day rolled on
unfolding like the toilet paper
he dropped and couldn’t catch

But he knew he could get it wound
back around without anyone noticing
perfection was his way of being
all of his expeditions capped
themselves in excellence

His slender fingers, smooth and agile
gentled the paper back around
he made no sound
no patterns noticed, no crumpled edges
it was perfection, done

His nose drank in the thick coffee scented air
awaiting his return
he licked his lips, remembering her brew
instead, only salt flavor
from his morning run

His name was Peter
oddly enough
Peter was from St.Petersburg
they met yesterday

Opening the door
the air was fresh
linen and dryer sheets
churning round and around

He forgot
just like the day
to replace the roll
so carefully wound, he returned
to complete his agency

TP never looked so good,
he was proud
he was certain
she would never learn
of his transgression

But once a roll unrolls and rolls
there is no returning to perfection, ever
there will always be telltale signs
scars and scabs, wounds

When are we leaving?
I have a plane to catch later tonight?
He thought Tiger didn’t remember
A child playing with her emotions
she had already ordered the Uber

A modern chariot of escape
for both of them

The TP roll was a brick in his hand
something to throw at her
but it wouldn’t hurt
just frighten, then
he could leave

He could walk out the door
fly home, instead of seats
narrow, too close, no room
yes fly, Peter wanted to fly

Tiger wouldn’t know
miss his departure
unaware of his grace in takeoff
her loss

He will land with ease
and be free of her
cheap toilet paper
too thin, see through

She dropped the viperous coffee pot
losing what small promise of conversation
she had in balance

She would make him leave
Peter from St. Petersburg
telling him it was all his fault
unrolling the facts
not able to take them back

Drbroye utro.
Da, was all she answered.

The coffee shouted
from cracks and corners
seeped and puddled
Leave. Just leave now,
Peter from St. Petersburg.
You are not welcome here.

And Peter from St. Petersburg
rolled out the door.

Author’s Note:

This is what happens when you write after midnight. Of course, toilet paper is on most everyone’s mind in this odd time in our lives.

The prompt from the NaPoWriMo/GloPoWriMo folks today, or should I say yesterday, was ridiculous in the most delightful way.

I simply went down the list and wrote to each prompt with as just a ridiculous story. Each stanza goes with each prompt in order (except for the name prompt which I used earlier in the poem.) But I like the last two stanzas.

Yes, I do.

Our (optional) prompt for today is one that we have used in past years, but which I love to come back to, because it so often takes me to new and unusual places, and results in fantastic poems. It’s called the “Twenty Little Poetry Projects,” and was originally developed by Jim Simmerman. The challenge is to use/do all of the following in the same poem. Of course,  if you can’t fit all twenty projects into your poem, or a few of them get your poem going, that is just fine too!

  1. Begin the poem with a metaphor.
  2. Say something specific but utterly preposterous.
  3. Use at least one image for each of the five senses, either in succession or scattered randomly throughout the poem.
  4. Use one example of synesthesia (mixing the senses).
  5. Use the proper name of a person and the proper name of a place.
  6. Contradict something you said earlier in the poem.
  7. Change direction or digress from the last thing you said.
  8. Use a word (slang?) you’ve never seen in a poem.
  9. Use an example of false cause-effect logic.
  10. Use a piece of talk you’ve actually heard (preferably in dialect and/or which you don’t understand).
  11. Create a metaphor using the following construction: “The (adjective) (concrete noun) of (abstract noun) . . .”
  12. Use an image in such a way as to reverse its usual associative qualities.
  13. Make the persona or character in the poem do something he or she could not do in “real life.”
  14. Refer to yourself by nickname and in the third person.
  15. Write in the future tense, such that part of the poem seems to be a prediction.
  16. Modify a noun with an unlikely adjective.
  17. Make a declarative assertion that sounds convincing but that finally makes no sense.
  18. Use a phrase from a language other than English.
  19. Make a non-human object say or do something human (personification).
  20. Close the poem with a vivid image that makes no statement, but that “echoes” an image from earlier in the poem.

Hot Sauce

She was speechless. It took a moment to comprehend. And then she started to laugh.10385557_10205326826514457_1262671781860478947_n

Gina wasn’t an artist. Well, not the kind that would be in art galleries or museums. She created, but in her own way. She was a writer, mostly. She loved to create stories and poems. Sometimes she made jewelry, stringing beautiful patterns of handmade beads into bracelets to encircle her delicate wrists. And she took photographs, on her iPhone. She gave up her big camera with the interchangeable lenses for a big digital camera after she could no longer buy film. But even that seemed too much. The iPhone was always in her pocket or purse. At a moment’s notice she could capture an image. She liked that. Capturing images.

This was one image no one should ever capture. Her laughter rang through the empty rooms of the art museum. She couldn’t help herself. Who in their right mind would think a bottle of hot sauce sitting on top of a toilet paper dispenser could be art? Not only art, but art in the biggest and one of the most honored art museums west of the Mississippi just east of Utah.

But there it was sitting proudly in front of a blue wall that must have been taken directly from a restroom somewhere. Art. Her laughter swelled.

He didn’t say anything but silently stood beside her glancing at her and then to the hot sauce and then back to Gina. She snorted. That’s when she noticed him.

She could see he was smiling. He was taller than she was. Well, almost all men were taller than she was. His blue eyes sparkled and his grey hair caught the canned light from above making it seem like silver curls capping his head.

Gina looked a bit younger than she really was but that was because she dyed her hair and inherited her mom’s genes for good skin. Also, she never sat in the sun. When she was young she was always pasty white, but she hated the hot sun. It gave her a headache. Now, at fifty-eight, she was glad not to have as many wrinkles as most her age. She didn’t know if that’s what made her feel young, or the fact she never had children, or the fact that she just liked to be happy and silly sometimes. But she knew, even if he didn’t, they were probably about the same age.

“Oh, I am sorry. Am I too loud?” Gina looked into his eyes. They were smiling at her.

“No. I just wanted to see what was making you so happy.” He turned away to look back at the hot sauce. Gina turned the other way and wiped her nose with the sleeve of her sweater. Every time she laughed hard, her nose ran.

Gina looked at the tall man. He had a kind face. He held his arms clasped behind him. He wore a blue sweater with grey stripes over a light blue shirt. His jeans were neat and sharp and his brown shoes polished. He was casual, but dressed with care. She liked that.

He turned to catch her eye and she quickly looked towards the hot sauce once more. It was the wrong thing to do. She couldn’t help herself. It was such a ridiculous image, she broke out in huge guffaws. Grabbing her waist she turned to find the bench behind her and sat down.

He followed, this time joining her in her sentiment. Laughter ensued between the two of them to a crescendo that almost shook the blue wall behind the hot sauce. Gina reached into her pocket and pulled out a packet of tissues offering the stranger first pick. Then both wiped their eyes and then blew their noses.

After that, both took a simultaneous big breath filling their lungs, a slight pause, and then equally large exhales. Surprised, they turned back to one another and at the same time started to introduce themselves.

“I’m…” They both paused.

Starting again, “I’m…” and another pause followed by another smile, big breath, and exhale. They just looked at one another for what seemed like blissful eternity.

It was a moment Gina would remember years later as she packed up the bottle of hot sauce in bubble wrap followed by the toilet paper dispenser which she had taken apart and carefully placed piece by piece in the shipping container. It was the last remnant of that wondrous afternoon in the art museum and the last memory of the artist himself, the man with the blue eyes and heartfelt laughter following the cold but lovely rainy day ceremony at Mt. Olivet Cemetery.

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Author’s Note:

Thank you to my friend, Sheila Lepkin, for the inspiration for this piece. The photo belongs to her. It just charmed me and I had to use it as my writing prompt tonight.